Andrès, Bernard (born 1949): Parvis: cortege et danse (1974) / La Ragazza / Bach, J.S. (1685-1750): / Concerto No. 1 in D Minor BWV 1052 / Allegro (1st movement) tr. E Turner / Jesu, Joy of Man’s Desiring / Prelude & Fugue in E Minor (arr. D. Owens) / Carriere, Pierre: Prélude and Fiesta (1990) / Charpentier, Jacques (born 1935): Pour une Apsara (1972) / Corelli, Arcangelo (1653-1713): Giga (transcribed E Turner from Salzedo) / Damase, Jean-Michel (born 1928): Sonatine pour Deux Harpes (1966) / Delden, Lex van (1919-1988): Concertino Op. 76 (1962) / Ellis, Osian (born 1929): Diversions (1981) / Forsyth, Malcolm (born 1936): The Kora Dances (1990) / Gershwin, George (1898-1937): Summertime from Porgy and Bess / Granados, Enrique (1867-1916): Jota / Granados (tr. Salzedo): Spanish Dance No. 5 / Houdy, Pierick (born 1929): Pour Deux Harpes (1981) / Hol, Alfred (1866-1950): Albumblatt for 2 harps, Opus 9 No. 2 / Joplin, Scott (1867-1917): Maple Leaf Rag (arr. Susan Jolles) / Krumpholtz, J.B (1742-1790): Première Duo pour Deux Harpes / Macdearmid, Ann: Ceol Measgadh (Bu chaomh bhi mire — I dall u dall — Null thar nan eileanan) / Mendelssohn, Félix (1809-1847): On Wings of Song and La Chasse from ‘Romance sans Paroles’, Opus 19 No. 3 / Naderman, Jean-François Joseph: Adagio and Rondoletto from «Duo en Fantaisie» no. 78 / Pachelbel, Johann (1653-1706): Canon in D (arr. McDonald-Wood) / Press, Jacques: Polka in C / Rachmaninov, Sergei (1873-1943): Elegie in E Flat Minor from Morceaux de Fantaisie, Opus 3 No. 1 / Rameau, Jean-Phillipe (1683-1764): Gavotte with Variations / Respighi, Ottorino (1879-1963): Siciliana / Salzedo, Carlos (1885-1961): Tango and Rhumba / Schubert, Franz (1797-1828): Ave Maria (tr. John Thomas) / Steer, Maxwell (born 1946): Miniscus (2001) / Thomas, John (1826-1913): The Grand Duo / Scenes of Childhood / Cambria / Turner, Eleanor (born 1982): What do you see in the flames? (2003) / Zalba, Martín (born 1958):Caleidoscope (1997)

'Double Action demonstrated a meeting of minds and repertoire to lift their music-making outside the realm of mere novelty'
The Times